Storia della musica elettronica by Google
Music makers and machines
Per chi se lo fosse perso.
C'è moltissimo materiale interessante, compresi articoli sui pionieri dei sintetizzatori, come Raymond Scott.
Ma c'è veramente di tutto, se vi interessano i sintetizzatori e la musica elettronica
Per chi se lo fosse perso.
C'è moltissimo materiale interessante, compresi articoli sui pionieri dei sintetizzatori, come Raymond Scott.
Ma c'è veramente di tutto, se vi interessano i sintetizzatori e la musica elettronica
Molto interessante.
Thanks!
(Sono vecchio io, o una impaginazione un pochetto più sobria non avrebbe guastato?
)
Thanks!
(Sono vecchio io, o una impaginazione un pochetto più sobria non avrebbe guastato?
)
Interessante, ma mica tanto breve! Appena ho un attimo me lo guardo. Grazie comunque!
Probabilmente entrambi, ma vale anche per me.
markelly2 ha scritto:
Sono vecchio io, o una impaginazione un pochetto più sobria non avrebbe guastato?
Sono vecchio io, o una impaginazione un pochetto più sobria non avrebbe guastato?
Probabilmente entrambi, ma vale anche per me.
Orpo, qui c'è da navigarci dentro per una giornata intera. Figata comunque.
Grazie per la segnalazione, thanks meritato
Grazie per la segnalazione, thanks meritato
Eh si c'è davvero tanta roba, ho fatto un giro veloce ed ho anche provato a giocare 5 minuti col simulatore in AR (Realtà Aumentata, che contiene emulazioni interattive in 3D di Memorymoog, Arp Odissey, Fairlight, Akai S900...) ma qui c'è da perderci del gran tempo... (troppo) 
Thanks a Dallaluna69
Thanks a Dallaluna69
@ maxpiano69
Eh si c'è davvero tanta roba, ho fatto un giro veloce ed ho anche provato a giocare 5 minuti col simulatore in AR (Realtà Aumentata, che contiene emulazioni interattive in 3D di Memorymoog, Arp Odissey, Fairlight, Akai S900...) ma qui c'è da perderci del gran tempo... (troppo)
Thanks a Dallaluna69
@Maxpiano; @Mima: beati voi che siete giovani... Eh si c'è davvero tanta roba, ho fatto un giro veloce ed ho anche provato a giocare 5 minuti col simulatore in AR (Realtà Aumentata, che contiene emulazioni interattive in 3D di Memorymoog, Arp Odissey, Fairlight, Akai S900...) ma qui c'è da perderci del gran tempo... (troppo)
Thanks a Dallaluna69
Grazie a tutti quelli che mi hanno thanksato! 
Per appassionati di synth e musica elettronica è una bella risorsa e spero che col tempo Google implementi ulteriormente i contenuti.
Per la grafica, non so cosa dire: io l'ho esplorato da tablet e mi sono trovato bene.
Per appassionati di synth e musica elettronica è una bella risorsa e spero che col tempo Google implementi ulteriormente i contenuti.
Per la grafica, non so cosa dire: io l'ho esplorato da tablet e mi sono trovato bene.
A marzo lo avevo guardato, ma poi lo avevo rimosso. Lo ricordavo molto diverso. Forse hanno cambiato la grafica, oppure all'epoca lo avevo guardato su PC.
Ma molte cose che ci ho trovato ora, a marzo non ricordo ci fossero.
https://artsandculture.google.com/story/what-s-that-sound-the-classic-synthesizers-behind-10-iconic-tracks
Jump
While the "Jump" video features an Oberheim OB-Xa, it's thought that the synth heard on the recording is this earlier variant, known as the OB-X. The "Jump" patch itself is relatively simple and could have been recorded with just about any polyphonic synthesizer by pairing detuned sawtooth oscillators with short, sharp attack and release settings.
More interesting here (and trickier to emulate) is the fact that Van Halen reportedly recorded the synth through a Marshall guitar amplifier stack at high volume, giving it an aggressive, overdriven sound.
The Final Countdown
Roland JX-8P Introduced in 1985, the Roland JX-8P was an analog polysynth somewhat held back by its DX7-like data-slider control scheme. Nevertheless, it proved popular and can be heard on tracks from Tangerine Dream, Depeche Mode, The Cure and others.
Europe’s keyboard player Mic Michaeli has stated that his JX-8P had a little help on this particular track. The main brass sound (likely based on the Roland’s Stab Brass preset) was layered with a similar patch on the Yamaha TX-816 – a powerful rack-mounted synthesizer based on the same FM synthesis techniques as the DX7.
"Se non lo sapevate.... sapevatelo! (su Rieducational channel)"
Jump
While the "Jump" video features an Oberheim OB-Xa, it's thought that the synth heard on the recording is this earlier variant, known as the OB-X. The "Jump" patch itself is relatively simple and could have been recorded with just about any polyphonic synthesizer by pairing detuned sawtooth oscillators with short, sharp attack and release settings.
More interesting here (and trickier to emulate) is the fact that Van Halen reportedly recorded the synth through a Marshall guitar amplifier stack at high volume, giving it an aggressive, overdriven sound.
The Final Countdown
Roland JX-8P Introduced in 1985, the Roland JX-8P was an analog polysynth somewhat held back by its DX7-like data-slider control scheme. Nevertheless, it proved popular and can be heard on tracks from Tangerine Dream, Depeche Mode, The Cure and others.
Europe’s keyboard player Mic Michaeli has stated that his JX-8P had a little help on this particular track. The main brass sound (likely based on the Roland’s Stab Brass preset) was layered with a similar patch on the Yamaha TX-816 – a powerful rack-mounted synthesizer based on the same FM synthesis techniques as the DX7.
"Se non lo sapevate.... sapevatelo! (su Rieducational channel)"
@ maxpiano69
https://artsandculture.google.com/story/what-s-that-sound-the-classic-synthesizers-behind-10-iconic-tracks
Jump
While the "Jump" video features an Oberheim OB-Xa, it's thought that the synth heard on the recording is this earlier variant, known as the OB-X. The "Jump" patch itself is relatively simple and could have been recorded with just about any polyphonic synthesizer by pairing detuned sawtooth oscillators with short, sharp attack and release settings.
More interesting here (and trickier to emulate) is the fact that Van Halen reportedly recorded the synth through a Marshall guitar amplifier stack at high volume, giving it an aggressive, overdriven sound.
The Final Countdown
Roland JX-8P Introduced in 1985, the Roland JX-8P was an analog polysynth somewhat held back by its DX7-like data-slider control scheme. Nevertheless, it proved popular and can be heard on tracks from Tangerine Dream, Depeche Mode, The Cure and others.
Europe’s keyboard player Mic Michaeli has stated that his JX-8P had a little help on this particular track. The main brass sound (likely based on the Roland’s Stab Brass preset) was layered with a similar patch on the Yamaha TX-816 – a powerful rack-mounted synthesizer based on the same FM synthesis techniques as the DX7.
"Se non lo sapevate.... sapevatelo! (su Rieducational channel)"
Interessante.
https://artsandculture.google.com/story/what-s-that-sound-the-classic-synthesizers-behind-10-iconic-tracks
Jump
While the "Jump" video features an Oberheim OB-Xa, it's thought that the synth heard on the recording is this earlier variant, known as the OB-X. The "Jump" patch itself is relatively simple and could have been recorded with just about any polyphonic synthesizer by pairing detuned sawtooth oscillators with short, sharp attack and release settings.
More interesting here (and trickier to emulate) is the fact that Van Halen reportedly recorded the synth through a Marshall guitar amplifier stack at high volume, giving it an aggressive, overdriven sound.
The Final Countdown
Roland JX-8P Introduced in 1985, the Roland JX-8P was an analog polysynth somewhat held back by its DX7-like data-slider control scheme. Nevertheless, it proved popular and can be heard on tracks from Tangerine Dream, Depeche Mode, The Cure and others.
Europe’s keyboard player Mic Michaeli has stated that his JX-8P had a little help on this particular track. The main brass sound (likely based on the Roland’s Stab Brass preset) was layered with a similar patch on the Yamaha TX-816 – a powerful rack-mounted synthesizer based on the same FM synthesis techniques as the DX7.
"Se non lo sapevate.... sapevatelo! (su Rieducational channel)"
Sarebbe divertente giocare a ricostruire il suono di Jump con le versioni VST del synth e dell'ampli